“It beats alone in its own silence,” said Lilly.

The Italian shook his head.

“We’d better be going inside, anyhow,” said Argyle. “Some of you will be taking cold.”

“Aaron,” said Lilly. “Is it true for you?”

“Nearly,” said Aaron, looking into the quiet, half–amused, yet frightening eyes of the other man. “Or it has been.”

“A miss is as good as a mile,” laughed Lilly, rising and picking up his chair to take it indoors. And the laughter of his voice was so like a simple, deliberate amiability, that Aaron’s heart really stood still for a second. He knew that Lilly was alone—as far as he, Aaron, was concerned. Lilly was alone—and out of his isolation came his words, indifferent as to whether they came or not. And he left his friends utterly to their own choice. Utterly to their own choice. Aaron felt that Lilly was there, existing in life, yet neither asking for connection nor preventing any connection. He was present, he was the real centre of the group. And yet he asked nothing of them, and he imposed nothing. He left each to himself, and he himself remained just himself: neither more nor less. And there was a finality about it, which was at once maddening and fascinating. Aaron felt angry, angry as if he were half insulted by the other man’s placing the gift of friendship or connection so quietly back in the giver’s hands. Lilly would receive no gift of friendship in equality. Neither would he violently refuse it. He let it lie unmarked. And yet at the same time Aaron knew that he could depend on the other man for help, nay, almost for life itself—so long as it entailed no breaking of the intrinsic isolation of Lilly’s soul. But this condition was also hateful. And there was also a great fascination in it.

So Aaron dined with the Marchesa and Manfredi. He was quite startled when his hostess came in: she seemed like somebody else. She seemed like a demon, her hair on her brows, her terrible modern elegance. She wore a wonderful gown of thin blue velvet, of a lovely colour, with some kind of gauzy gold–threaded filament down the sides. It was terribly modern, short, and showed her legs and her shoulders and breast and all her beautiful white arms. Round her throat was a collar of dark–blue sapphires. Her hair was done low, almost to the brows, and heavy, like an Aubrey Beardsley drawing. She was most carefully made up—yet with that touch of exaggeration, lips slightly too red, which was quite intentional, and which frightened Aaron. He thought her wonderful, and sinister. She affected him with a touch of horror. She sat down opposite him, and her beautifully shapen legs, in frail, goldish stockings, seemed to glisten metallic naked, thrust from out of the wonderful, wonderful skin, like periwinkle–blue velvet. She had tapestry shoes, blue and gold: and almost one could see her toes: metallic naked. The gold–threaded gauze slipped at her side. Aaron could not help watching the naked–seeming arch of her foot. It was as if she were dusted with dark gold–dust upon her marvellous nudity.

“The third on the right is his,” said the inspector. “Here it is!” He quietly shot back a panel in the upper part of the door and glanced through.

“He is asleep,” said he. “You can see him very well.”

We both put our eyes to the grating. The prisoner lay with his face towards us, in a very deep sleep, breathing slowly and heavily. He was a middle-sized man, coarsely clad as became his calling, with a coloured shirt protruding through the rent in his tattered coat. He was, as the inspector had said, extremely dirty, but the grime which covered his face could not conceal its repulsive ugliness. A broad wheal from an old scar ran right across it from eye to chin, and by its contraction had turned up one side of the upper lip, so that three teeth were exposed in a perpetual snarl. A shock of very bright red hair grew low over his eyes and forehead.

“He’s a beauty, isn’t he?” said the inspector.

“He certainly needs a wash,” remarked Holmes. “I had an idea that he might, and I took the liberty of bringing the tools with me.” He opened the Gladstone bag as he spoke, and took out, to my astonishment, a very large bath-sponge.

“He! he! You are a funny one,” chuckled the inspector.

“Now, if you will have the great goodness to open that door very quietly, we will soon make him cut a much more respectable figure.”

“Well, I don’t know why not,” said the inspector. “He doesn’t look a credit to the Bow Street cells, does he?” He slipped his key into the lock, and we all very quietly entered the cell. The sleeper half turned, and then settled down once more into a deep slumber. Holmes stooped to the waterjug, moistened his sponge, and then rubbed it twice vigorously across and down the prisoner’s face.

“Let me introduce you,” he shouted, “to Mr. Neville St. Clair, of Lee, in the county of Kent.”

Never in my life have I seen such a sight. The man’s face peeled off under the sponge like the bark from a tree. Gone was the coarse brown tint! Gone, too, was the horrid scar which had seamed it across, and the twisted lip which had given the repulsive sneer to the face! A twitch brought away the tangled red hair, and there, sitting up in his bed, was a pale, sad-faced, refined-looking man, black-haired and smooth-skinned, rubbing his eyes and staring about him with sleepy bewilderment. Then suddenly realizing the exposure, he broke into a scream and threw himself down with his face to the pillow.

“Great heavens!” cried the inspector, “it is, indeed, the missing man. I know him from the photograph.”

The prisoner turned with the reckless air of a man who abandons himself to his destiny. “Be it so,” said he. “And pray what am I charged with?”

“With making away with Mr. Neville St. Oh, come, you can’t be charged with that unless they make a case of attempted suicide of it,” said the inspector with a grin. “Well, I have been twenty-seven years in the force, but this really takes the cake.”